This project challenges the conventions of typography by stripping it down to its most essential elements — structure, rhythm, and emotion. Each page serves as a visual experiment, questioning how letters behave when freed from the limits of readability and symmetry. The design process revolved around chaos and balance, letting type become both message and material.

The layout was constructed with deliberate tension — oversized characters colliding with negative space, asymmetrical grids breaking traditional order, and subtle alignments guiding the viewer’s eye across unexpected compositions. Through distortion and repetition, the book transforms typography into a visual narrative rather than a tool for communication.

“Typographic Matter” celebrates imperfection and intuition. It rejects uniformity in favor of expression, embracing how letterforms can evoke mood and movement even without words. The final artbook becomes a reflection on how typography isn’t just read — it’s felt.